Star Wars Episode IX Review (CONTAINS SPOILERS BUT MAY NOT MATTER SINCE I'M THE LAST ONE TO SEE IT)

It's the best of the three new ones, and I think the second best in the entire franchise after Empire. I'm lazy, so some of these things would be easy to look up but I didn't. In no particular order:

• Overall, a fitting end to the saga. Much better than Episode VIII. Glad JJ Abrams is back; he's the master of playing well in others' universes. You walk out feeling that you saw a good Star Wars movie, much like Episode VII.
  
  
• As a Star Wars movie, at some point there will be: a desert planet, a cantina, a scummy trading city with a motley assortment of criminals, and people rescuing their friends and admitting how zany they are because they’re making it up as they go.
  
  . But it's not dwelt upon, and there were so many types of planets in this one that the desert planet doesn't stick out. Also, I hope I'm not turning into a social justice warrior, but the colorful festival on the planet with "third world" aliens did bug me a little bit, just because it seems so obvious.
  
  
• In that spirit: Star Wars movies are fantasy movies in space: knights, sword-fighting, wizards. A horseback attack on a starcruiser is therefore not only cool and original, it completely fits. Also, it stuck out in Episodes I through III that a) there was no improvement in technology across 30 years and b) that late 90s cell phones were about as good as Obi Wan's communicator. Some of the tech in this one looks positively 1980s - wired headsets, colored wires in C3PO's head that look like a Commodore 64 console - and that's great. It fits Star Wars perfectly. It's a fantasy movie, and these are set pieces to maintain the tone - it's not about technology at all.
  
  
• I noticed in the end credits for animation, there was a group of 8-10 names together that looked Thai or Lao. I tried to look up whether a studio in one of those places was used but couldn't find any mention. Always good to see more talent in the game, it benefits film-goers.
  
  
• I couldn't remember if Carrie Fisher died before they made this (she did), and couldn't tell if she was live, computer-generated, etc., and wasn't particularly worried about it either way. It's that last part that says the most I think.
  
  
• The introduction of matter transmission through force connections (and its continuing use) is quite a good cinematic trick. It's creepy as hell when Ren grabs Rey's necklace, and then this trick is used in the final battle with the Emperor (unlike some inventions in Episode VIII like hyperspace missiles.)
  
  
  
• The action starts immediately at the beginning and doesn't let up for quite a while. It's also full of plot twists. Nothing like the (pointless, non-plot-advancing) dead space in Episode VIII.
  
  
• Plot holes, discontinuities, and other jarring moments must be taken in context with the franchise. I'm a fan of hard science fiction (i.e., real physics) to the core but if I ever directly overhear someone complaining that "it's unrealistic because there's hyperspace" I will punch them. That said, no one came to help in the second one, but Chewie and Lando can magically raise a rebellion in a few hours by flying around in person? Doesn't seem required to advance the plot, though it does feel good and advance a nice moral ("they win by making you feel alone") so it didn't bother me so much. Also, where has Lando been?
  
  
• I'm going to come out and say it. Grown-up Daisy Ridley is much, much more attractive than at the start of this trilogy (and she wasn't bad then either.) She's also come into her own as an actor.
  
  
• Good performances also from Adam Driver (duh) and Oscar Isaac. I always wonder how hard it is for Boyega to stay in-accent when he's working with other English actors. As time goes on, he gets by more on his innate charisma, which is fine because he's just likable anyway (honestly, it's the very rare actor who actually masters another character and doesn't just enhance his innate personality. I like watching Robert Downey Jr. and Anthony Hopkins, but come on, how different are they on-screen from their actual personalities? Gary Oldman and Christian Bale actually get outside their personalities for their characters, which carries a penalty of not being as "follow-able" as they might otherwise be.)
  
  
• Lots of nice parallelisms in this and tying up of themes. The Empreror as master manipulator tries to rise above the paradox of the Sith by having his death be the key to the rise of the Sith (and if Rey doesn't do it, her friends die and the fleet takes over anyway.) The balance brought back to the Force requires the dyad, with Ren and Rey. Ren, again Ben with the same words he said when he killed his father. Leia's death as she kills her son by distracting him (Ren killed Solo where Vader couldn't bring himself to kill Luke, twice.)
  
  
• Kylo Ren has to announce that Han Solo is a memory so we don't get confused. Luke has sparkly blue outlines so we know the difference between a memory and a Force ghost.
  
  
• There's a little bit of babbling of the sort that annoyed Alec Guinness, which annoys me mostly because you don't know where things are going and you can talk your way (in an unsatisfyingly unpredictable way) out of any plot knot. Then again, the Force is if nothing else a script writer's dream to resolve what would otherwise be massive plot holes by appealing effectively to magic.
  
  
• Much better psychology in this one, thinking about the characters' motivations (e.g., Hux being a spy because he hates Ren.)
  
  
• At the end where there's a crowd watching Palpatine and Rey: where did all these mystery Sith come from? And why have we never seen other Knights of Ren before? What is their connection to the Sith?
  
  
• The creator of Darth Maul said that Lucas came to him and said "I want you to use your worst childhood nightmare as inspiration." He described to Lucas a pale face slowly revealed by flashes of lightning. Sound familiar? I was happy that they used this.
  
  
• I didn't notice any lens flare, but there is a shot of Kylo Ren standing in front of the heaving ocean after Rey leaves, a bit fuzzy and shaky as if shot from far away, that gives it more immediacy. Adam Driver also looked genuinely cold, and I wouldn't be surprised to learn that he insisted on being cold and wet in reality for these shots.
  
  
• Rey being a Palpatine is somewhat of an obvious plot twist, just because if she IS the daughter of someone significant, the only decent move left is for it to be Palpatine (with intervening parents; why did they turn out so lame?)
  
  
• I was annoyed that a non-Jedi (Leia) could magically continue Rey's training. ("Hey, I'm a surgery resident. My attending just died. His sister is going to come continue to teach me surgery.") But they closed that loophole.
  
  
• Once Rey explained she gave a little bit of the force away to heal the giant snake critter, you could see a self-sacrifice (from someone) coming down Fifth Avenue in a cab. Same with the accidental force lightning, which immediately gave away what I suspected about Rey being a Palpatine. Good on the writers, I actually thought Chewie was dead. I'm sure that there are religious fundies somewhere all bent out of shape that Jedi can heal people.
  
  
  
  Above: Jedi Christ, who can heal the sick; only Sith can raise the dead. I bet Golgotha would have been a whole lot different with a light saber.
  
  
• Good coordination with trailers and writers. They know going in that everyone knows Palpatine is in it. I'm always amazed when trailers give away things in the movie and the film-makers expect you to be surprised (often this is no doubt marketing that's not in their control.)
  
  
• I thought C3PO was added to the list of main character deaths - a robot is its memory in a way that humans are not - but he was saved too.